Jack Marston (
accedence) wrote in
finalflight2019-06-20 03:45 pm
PSL; [FINALLY, SOMEONE LET ME OUT OF MY CAGE]

[Beecher’s Hope is about a twenty minute ride departed from neighboring towns or wandering curiosities, the wooden ranch house obscured by a jagged, cresting hill when approaching from a western direction. In its yellowing fields sits a dusty barn, a corral with restless horses stamping about their enclosures, and stretches of earth, dried and drained from crops that no longer exist. A grain silo stands watch over the land, less a sleeping sentinel and more a forgotten addition — its upper hatch is broken and no longer closes all the way (though it opens just fine), letting in a shaft of light to fall on what’s left of the neglected stock below.
And there’s not much left of it, long ruined by moisture, humidity, and neglect; molded and rotting the same way a corpse does, laying stagnant with no one person interested enough to tend to it. It is, honestly, a waste of food — perfectly good years ago, now just scattered, clumped remains. The whole silo isn’t even filled to the brim, the corn only tall enough to cover the ankle of a man’s boot. Not that there were many people wading through its interior these days.
Usually.
Jack doesn’t care enough to often wander out this far, his interest in ranching and farming and all those secondhand dreams long faded, dried up like the earth around him. But one of his horses has spooked — a black and white spotted thing, he calls him Twister, because he’s always running off and leaving him twisting in the wind — darting out this way like a bolt, leaping over the rails of the corral and knocking rotted wood over with back hooves. He can see him next to the silo, snorting out air through his nostrils, pawing at the dirt in irritation.]
Come on, I don’t got time for this right now, you dumb nag. [He clicks his tongue irritably, trying to shore up patience when he doesn’t have much of it to spare.] Come here, come here—
[Twister doesn’t care for his owner’s placating, half-hearted as it is. Offended at his approach, he gives a loud whinny, lurching up with angry hooves slicing at the air, hitting the old wood of the silo. It cracks and snaps, groaning in protest, setting the horse off even more; Twister twists his body around in the dirt and is off like an arrow shot out from a bow.]
Goddamn horse! [He starts after it, but Jack’s no fool. A few steps and he’s stopped, hand pressed hard against the silo and its new hole, cursing under his breath. His eyes lift to the damage done, and he mutters outloud like he were a man who actually cared about the state of his property, peering in:] Gonna let the damn birds in, now.

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Luck would’ve been on someone’s side if he walked off, seeing no issue beyond the fresh new hole now splintered in the wood. But that rope of morning light, cutting in through the hatch, lands squarely on what he’s fairly certain doesn’t belong in there — a man’s hat, lying there as-you-please, and one he sure as hell doesn’t recognize.
Jack’s face angles itself into a frown. He can’t see much farther in, his viewpoint narrow and not allowing for many angles, and the lighting is dim. Could’ve been a squatter, come and gone. Could be a squatter, still hanging about. Could be something worse, a government man in a dark suit hiding out in his goddamn silo, wouldn’t that be a laugh—
His hand immediately draws his pistol, always hung at his hip, and Jack considers calling out to see if anyone’s there, but it seems like a fool thing to do, announcing his presence outright. Yet anyone with a working pair of ears would’ve heard his spat with his rebellious horse (now disappeared behind a lonesome tree in the distance), so maybe the point was moot. He’d have a bullet through his skull right now if someone meant to kill him, a thought which just irritates him more.
His eyes drift over to the ladder which leads up to the upper hatch, though he calls out towards the hole. Towards the… hat.]
If someone’s in there, it’d be wise of you to let me know.
[(So he can boot him off his property.)]
Preferably right now.
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Truly, he should have known better when he selected this as a hiding place. Only one way in, only one way out, which is a detriment for a man like him. (Of course, the horse proved that the silo is on its last leg, and a few well-placed bullets and a swift kick from his boot could probably see him outside in a matter of seconds. He’ll keep that in mind as a last resort.)
As it is, he spends a precious few moments weighing his options. He could hold his tongue, hope that the man passes by, but with such obvious evidence laying around, he doubts the stranger will leave well enough alone. He could just shoot the guy, but that won’t do him any favors either – he is at a distinct disadvantage if bullets start flying.
With little recourse left, he simply goes with the option that (hopefully) won’t get him shot. ]
Nobody in here but us chickens, amigo.
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Real funny. ‘Specially since there aren’t supposed to be any chickens in there, neither.
[Jack would rather be confused than slack-jawed, and he’d rather be irritated than confused. So he settles for one of the emotions he knows best — plain old weary agitation — and commits himself to his next action: clambering up that wooden ladder to reach the hatch, the silo shaking in time with each heavy step of a boot.
Figuring out what kind of threat now sits inside his rotted grain was priority, and though charging in didn’t do much to keep him safe, Jack’s recklessness pushes him forward more often than not. Gun in one hand, rungs of the ladder in the other, he continues—] You got a name, “amigo”?
[Ratchets up the sarcasm, sure, why not. Anything to steel his spine as he reaches the top, pushes back the hatch, and— well. Slowly peeks in, eyes and gun-first.
Better not shoot him, asshole.]
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He keeps his place with his back to the wall, pistol in hand but certainly not raised like he means to do anything with it. The other hand lays against his vest pocket, as if the presence of the well-world playing card within might lend him some of the luck of its former owner.
At the sound of the hatch – above him and just off to the side – he casts his eyes upward. ]
Sure do. Not much inclined to share if it’s all the same to you.
[ From this angle, he can’t really see who might be looking in on him, but he’d bet his hat they’re armed. ]
You going to let me out of here?
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Depends on what your reasoning is for thinking you could sit out here in my corn, on my ranch.
[His rotted corn and his neglected ranch, yes, but his nonetheless. Jack is like a wary cat, distrusting for reasons of his own, especially with strangers who intrude upon his property with guns in-hand. His prior experience with similar individuals is less than flattering.
He squints a little to make out his features better, but the shadows aren't doing him many favors.]
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Still, he can’t help the incredulous snort that escapes him. ]
Your ranch? What is it you grow here? Mold?
[ He kicks at some of the rotted bits of corn, the toe of his boot scuffing the floor of the silo. There is a reason he chose to squat here, and really, can anyone blame him? The place is falling apart at the seams. Surely no one still lived here.
Or so he thought. ]
Needed the shelter for the night, that’s all. I am happy to move on if you are happy to let me out without shooting me, yes?
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[He says, and suspiciously at that, ignoring the insult aimed at his property. Maybe Jack’s biased, being raised the way he was — among men who would call themselves “family” until they were ripped apart at the seams, as all gangs do — but he knows that people who are looking for a shadowed place to stay the night often have trouble dogging at their heels.]
Who you hiding from? This ain’t no place to squat.
[Not much in any direction, unless a man’s willing to ride out to town. There’s a big difference between squatting and hiding, so far as Jack knows.]
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Don’t see how it much matters. You let me out and I’ll be on my way, and you can forget you ever saw me.
[ Probably not a compelling argument, but it’s all he’s got. ]
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Y'could answer my question first, and then I'll think about letting you be on your way.
[Suspicious as he is, Jack's mind is already whirring. Trying to weigh his choices dependent upon what the other's reply is.]
As far as I reckon, you got the look of someone who has trouble right behind you. Unless you're going to tell me I'm just biased.