ratiocinations: (๐Ÿ”Ž 001)
๐’ฎ๐’ฝ๐‘’๐“‡๐“๐‘œ๐’ธ๐“€ "ACD'S OC" ๐ป๐‘œ๐“๐“‚๐‘’๐“ˆ ([personal profile] ratiocinations) wrote in [community profile] finalflight2025-04-11 08:21 pm
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repaintress: by betenoir (Thinking)

[personal profile] repaintress 2025-07-02 05:54 pm (UTC)(link)
[ Clea tuts under her breath, sounding for all the world like a judgemental elderly woman, and loops her arm in his to be guided up the stairs. That part of the evening will be more annoying: She won't be able to explore on her own. On the other hand, when she reviews the exhibit, people will be beside themselves figuring out how she attended when there is no indication she left Paris. ]

Too busy for your grandmother. In my day, people respected their elders.

[ She puts her other arm on top of their interlinked arms, 'using' it to 'steady' herself even more. It would be tempted to use a singular gait, to struggle the same going up each and every stair, but in her observations Clea has noted that movement varies from step to step. She needs to move within a range of feebleness if she wants to sell the ruse.

And she very much does. Even if part of her would rather rush forward and hope for a chance to enjoy the portraits before the area is too crowded.

Sacrifices must be made. She'll convince Sikert to give her a private showing at a later date. ]


It's much easier to travel now than it was when I was a girl, but service has declined. They left me waiting for over an hour. We didn't treat our elders that way.

[ Oh, being this grumpy is fun. Perhaps Clea will go out as an old woman more often. The trip across had gone well except for a slight lack of timeliness on the part of his contacts. That seemed like something he should know just in case he needed to arrange a trip where timeliness was of the essence.

Leaning in as they walked through the door, Clea tilts her head towards the right. ]


There are some older pieces on display. I want to look at them.

[ And elderly people get to be demanding. Yes, she is looking forward to this life stage more and more. ]
repaintress: by betenoir (Default)

Me too - I got sick -_-

[personal profile] repaintress 2025-07-11 12:04 am (UTC)(link)
That is true, isn't it?

[ Acting isn't a skill that Clea's spent much time perfecting; the natural actor in the family had always been Verso. Still, she finds that the effort requires the perfect amount of thought: Just enough has to go into her efforts to sound elderly, in good humor, and quietly contemptuous that she can't get dragged under by the ever-swirling whirlpool of emotions that seems to have taken up permanent residence inside of her after the fire.

And it's true: She is the only member of the family with any sense. It feels good to voice the sentiment, even if it's only in passive agreement. Alicia cannot be expected to have sense, but Maman and Papa should know better.

His offer to push through the crowd for her earns him a small smile as she peers up at him. ]


You're a good grandson.

[ In other words: Yes, do exactly that. Post-haste. Ideally, two minutes ago, but Clea will settle for 'immediately'. ]

We need to examine his oldest pieces and then go straight to his newest. That will show you the contrast in the work and help you to appreciate the changes.

[ Clea has a vision in mind for how's she's going to experience this night and she will not be swayed. It is her first indulgence since the fire, is it so wrong to demand it go as perfectly as possible? ]

Then, we will circle back again and look at the pieces in order, so that we can truly appreciate the evolution of the style. Pay attention to where certain changes originate. Try to pinpoint the underlying pattern driving the evolution of style.

[ Monsieur Holmes had mentioned the most useful aspect of this outing to him was its potential in helping him to apprehend forgers. For the average person, memorizing enough of every major artist in European history would be too cumbersome. He is far from average, but he wants to keep his knowledge light. In which case, what is important to know is that an artist's development nearly always follows a larger pattern. Often, forgeries that would pass the eye of the uninformed are revealed when they're viewed by someone who can see a part of the piece which does not fit the artist's evolution. ]