[He takes it and explains with a few exuberant puffs.]
“Papa” makes me feel like a wizened old grandfather — why, I didn’t even call my own father papa. No, Minato can make due calling me the Greatest Consulting Father Figure, instead.
[He grabs a folded handkerchief with his free hand and offers it to her — ideally, she’d have time to wash up in the washroom, but… Well. It’s clean, at least, the cloth.]
Of course I’ve been unsettled on more than one occasion. I’m only human — and a detective at that, privy to many a crime, and also many a dead body.
[Some cases more… harrowing than others. And that’s not even counting some of the more worrisome things that happened in Reverie, though Sholmes often tries to remain stalwart when he can.]
[ she remembers, abruptly, the awful rending feeling of sobbing on him after that cannibalism trial. it sticks in her stomach, ruining some of the afterglow.
dabbing between her legs with the soft kerchief... ]
I rarely saw you then. In such times as those. We were always pulled apart to tend our own.
[Ah, yes, moments such as those were so chaotic. Pain and confusion abounded, and checking on each other only meant less time to make certain their teammates were fine, too.]
Mm.
[He’s going to find himself a few extra garments lying about to make an outfit; smoking the entire time, a trail of it coiling behind every step.]
The fear of losing someone I love, in any capacity, will dash my bravado to pieces. It is not a feeling I hope to revisit with you ever again.
[ she was never the one in danger, the one walking away harmed. she used to fume about it: all that effort and Basilisk would not win, nor would they fail so utterly that she was given wounds to lick. ]
Bah. Over now, in any case.
[ so she folds the kerchief once she's dry—slipping it purposefully and subtly (she hopes) beneath his pillow. a gift for him later. then, one piece at a time, she redresses herself. ]
[The fact that she hopes Herlock Sholmes of all people will not notice something is cute, but he doesn’t say anything about it. It does rather seem like he’s focused on getting dressed; underwear, trousers, shirt, vest—]
The unpredictability of that prison was its most dangerous trait. One was never truly safe, not if a baleful whim overtook the Warden.
[He steps forward once he’s mostly put together. Need help with that dress?]
But it’s as you say. Over and done with now. I am a better man for it!
[ perhaps it isn't about whether he notices or not, but that he finds a charm in the intent either way. as he approaches, she turns so that he can help with the many small pearl buttons that fasten her dress. ]
Much like London treats its own residents time and again, no doubt.
[But the comparison is not wholly a fair one, and he knows it — both are cities that might devour a single man or woman whole like a thing alive. But Sholmes has the privilege of a profound reputation, a sometimes-shield against the worst of it. And unless things have changed, he knows that hers is one seen ill in circles that matter to her.
All at once, a sting of regret sticks inside of him. He should have visited; he should have had her visit earlier. But there is little to do now but endeavor to keep her happy and wanted and at home in 221B.]
Tell me, my love, how long do you wish to stay in London?
[ Waterdeep is gone, and she will never want to leave it, truly. that makes this marriage thing so much more difficult, in the end. she can rage and hate and be hurt by the city's callousness towards her, but she cannot let it go for love nor money. it's her home. it's her heart.
her own profound reputation poisons it against her.
Sholmes puffs out a plume of smoke, surprised but chucking lightly, balancing his pipe with his teeth as he returns the hug. A hand running up and down her back.]
[Oh, but he has shared this flat with those he considered family before. If he is not to do the same with the woman he loves, then what sort of cad would he be?
Selfishly, he’d not be opposed if she stayed here forever, or something very close to it.]
Well, I hope you did not think I was merely exaggerating when I said you may stay however long you like.
no subject
Papa...
no subject
Strange.]
Maybe… not “papa.”
[The teasing works.]
no subject
Why not "papa"?
no subject
“Papa” makes me feel like a wizened old grandfather — why, I didn’t even call my own father papa. No, Minato can make due calling me the Greatest Consulting Father Figure, instead.
/2
no subject
no subject
A bit trite, but acceptable.
[the way they’re making this decision for Minato]
Though it is your daughter and not your son that you need prepare to see now. Shall we get dressed?
no subject
Oh. I...
[ abruptly nervous ]
no subject
No need for nerves, my love! I'll be by your side.
no subject
she shudders. ]
Has nothing ever unsettled you, even little bit?
no subject
Of course I’ve been unsettled on more than one occasion. I’m only human — and a detective at that, privy to many a crime, and also many a dead body.
[Some cases more… harrowing than others. And that’s not even counting some of the more worrisome things that happened in Reverie, though Sholmes often tries to remain stalwart when he can.]
no subject
dabbing between her legs with the soft kerchief... ]
I rarely saw you then. In such times as those. We were always pulled apart to tend our own.
no subject
Mm.
[He’s going to find himself a few extra garments lying about to make an outfit; smoking the entire time, a trail of it coiling behind every step.]
The fear of losing someone I love, in any capacity, will dash my bravado to pieces. It is not a feeling I hope to revisit with you ever again.
no subject
[ she was never the one in danger, the one walking away harmed. she used to fume about it: all that effort and Basilisk would not win, nor would they fail so utterly that she was given wounds to lick. ]
Bah. Over now, in any case.
[ so she folds the kerchief once she's dry—slipping it purposefully and subtly (she hopes) beneath his pillow. a gift for him later. then, one piece at a time, she redresses herself. ]
no subject
The unpredictability of that prison was its most dangerous trait. One was never truly safe, not if a baleful whim overtook the Warden.
[He steps forward once he’s mostly put together. Need help with that dress?]
But it’s as you say. Over and done with now. I am a better man for it!
no subject
And I am happier woman.
no subject
In the broadest sense possible, I hope. Waterdeep treats you well?
no subject
It treats me.
no subject
Much like London treats its own residents time and again, no doubt.
[But the comparison is not wholly a fair one, and he knows it — both are cities that might devour a single man or woman whole like a thing alive. But Sholmes has the privilege of a profound reputation, a sometimes-shield against the worst of it. And unless things have changed, he knows that hers is one seen ill in circles that matter to her.
All at once, a sting of regret sticks inside of him. He should have visited; he should have had her visit earlier. But there is little to do now but endeavor to keep her happy and wanted and at home in 221B.]
Tell me, my love, how long do you wish to stay in London?
no subject
her own profound reputation poisons it against her.
she will win. one day.
little inhale, not quite looking at him. ]
I don't know. I think I decide when time comes.
no subject
Think of the crime that might need solving… Can Waterdeep handle Herlock Sholmes?]
No need to decide now, or anytime soon.
[Buttons… done!]
Only know that whether that timeframe is a single day or forever, we will happily accommodate you.
no subject
wordless, she wraps her arms around his back and tugs herself into his body for a hug. ]
no subject
Sholmes puffs out a plume of smoke, surprised but chucking lightly, balancing his pipe with his teeth as he returns the hug. A hand running up and down her back.]
Aha, I’ll take that as approval.
no subject
If you insist to.
no subject
Selfishly, he’d not be opposed if she stayed here forever, or something very close to it.]
Well, I hope you did not think I was merely exaggerating when I said you may stay however long you like.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/3
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
1/3
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/3
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
/2
(no subject)
(no subject)
/3
(no subject)
(no subject)
1/2
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/3
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
/3
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...