[And he will lead her, then, into a part of the museum which exhibits a few rather violent, bloodied crimes of London's history. They pass what appears to be a back area—perhaps another exhibit—partitioned away via a thick curtain, but Sholmes seems to have no interest in lingering either here nor there. No, he goes straight towards his own exhibit, which displays a dimly-lit alleyway, a nondescript (waxwork) murdered body sprawled across the cobblestone, and the figure of Sholmes himself, who is crouched over and examining the scene with a magnifying glass.]
no subject
[And he will lead her, then, into a part of the museum which exhibits a few rather violent, bloodied crimes of London's history. They pass what appears to be a back area—perhaps another exhibit—partitioned away via a thick curtain, but Sholmes seems to have no interest in lingering either here nor there. No, he goes straight towards his own exhibit, which displays a dimly-lit alleyway, a nondescript (waxwork) murdered body sprawled across the cobblestone, and the figure of Sholmes himself, who is crouched over and examining the scene with a magnifying glass.]